6.Gregg Toland

1904-1948

Gregg Toland was not with us long, but it is a credit to his brilliance that he is so revered today. Toland was nominated five times for the Best Cinematography Oscar during a seven year golden period which lasted from 1936 to 1942, but it is his collaboration with Orson Welles on Citizen Kane that is most remembered. Though he didn’t create deep focus cinematography, he perfected it in Citizen Kane, allowing characters in the fore and background to be shot in focus at the same time. In fact, much of the film’s visual and cinematographic genius – low angles, high contrast, dark shadows – though often credited to Welles, was largely Toland’s doing. Welles later acknowledged that Toland was advising him on camera placement and lighting effects secretly so the young director would not be embarrassed in front of the highly experienced crew. So indebted was he to Toland’s work, that Welles insisted that their names appear together on the end credits. Later on, Toland worked on Disney’s Song of the South, which combined live action with animation.

Above is an example of deep focus in Citizen Kane.

Notable films: Wuthering Heights (1939), The Grapes of Wrath (1940), The Long Voyage Home (1940), Citizen Kane (1941), How Green Was My Valley (1941), Song of the South (1946)